He was called upon to curate various exhibitions on engravings of the Twentieth century and in particular, to produce original studies on the woodcuts in the Romagna region, an area where he specialized starting from his study on art history, completed at Bologna University.
In addition to researching and curating the exhibitions and catalogues, an important aspect required by the commissioning bodies, was the design and manufacture of devices which, based on treated subjects, would broaden the exhibitions’ appeal towards a wider audience. Hence the reinvention of spatiality of environments, using the languages of lighting and stage design and the possibilities of sensory theatre.
Jürgen Czaschka, biffando l'assoluto. I bulini
Museum of Cappuccine, Bagnacavallo, December 2009 - February 2010.
Commissioned by the Gabinetto delle stampe in Bagnacavallo.
Armonia delle muse
Marino Moretti museum, Cesenatico, from June to November 2009, curated the section on graphics: La bella scuola. The show won the "Premio Guidarello 2009.
Colori e anima di una terra. L'opera grafica degli imolesi Buscaroli, Della Volpe, Trombetti
Palazzo Sersanti, Imola, November 2007 - January 2008. Commissioned by: Foundation Cassa di Risparmio di Imola.
Giannetto Malmerendi. Dall'avanguardia alla visione epica, the woodcuts
Palazzo Romagnoli, Cesena, December 2006 - January 2007. Commissioned by: Foundation Carisp Cesena.
La traccia e l'immagine: un percorso nella grafica europea tra Ottocento e Novecento
Rimini, December 2006 - February 2007. Commissioned by: CNA.
Colore e libertà. The best season of woodcuts in Romagna
Palazzo Romagnoli, Cesena, October-November 2005. Commissioned by: Foundation Carisp Cesena.
Gino Barbieri. Dreams of peace, the winds of war. The woodcuts.
Palazzo Frescobaldi, Ferrara, June-August 2004 and Palazzo Romagnoli, Cesena, October-November 2004. Commissioned by: Municipality of Ferrara and Fondazione Cesena Carisp.
